
Eminem's music publisher and the estate of Elvis Presley have sued the artificial intelligence music generator Suno in two separate copyright lawsuits filed on the same day, seeking more than $41 million in damages. The Suno copyright lawsuit is one of the most high-profile legal challenges yet to an AI music company, and the Elvis case is among the first major tests of Tennessee's law against AI voice cloning.
The twin cases were filed on Friday, November 6, 2026, in the U.S. District Court for the Northern District of California. Eight Mile Style, the Ferndale, Michigan-based publisher that controls nearly 270 Eminem compositions, seeks $150,000 for each of 269 songs, plus damages for removed copyright-management information. The rights holders behind Elvis Presley's name, image and recordings filed their own 51-page complaint in the same court.
Eight Mile Style filed its 32-page complaint on Friday, November 6, 2026, alleging Suno reproduced its works without authorisation and trained its AI model so users can create sound recordings from text prompts. The catalogue includes "Lose Yourself", "Without Me" and "The Real Slim Shady". The $150,000 per song is the maximum statutory damages for willful infringement, and the complaint asks the court to order the impoundment or destruction of all unauthorised copies.
The Elvis plaintiffs filed hours later. Authentic Brands Group, Raleigh Music Publishing and Elvis Presley Enterprises allege copyright infringement and violation of Tennessee's 2024 ELVIS Act, which bars unauthorised AI cloning of a singer's voice. The 51-page complaint is one of the first major cases under the law. Both suits allege Suno copied protected music to train a product, without permission and without payment.
Suno is one of the most popular AI music generators. A user types a text prompt and the system returns a finished song, complete with vocals and instruments. It has drawn millions of users. That speed is the problem behind the lawsuits: Suno has disclosed its model was trained on "essentially all music files of reasonable quality that are accessible on the open Internet".
In June 2024, the Recording Industry Association of America, acting for the major record labels, sued Suno and rival Udio for copyright infringement in the first big AI-music cases. Those cases are still in the courts, and they ask the same question: is training an AI model on copyrighted songs without a licence infringement, or fair use? Tennessee's ELVIS Act, passed in March 2024 and effective July 1, 2024, was the first US law protecting a person's voice and likeness against AI replicas. It is named for Elvis Presley of Graceland, Memphis.
At the centre of both complaints is the claim that Suno copied music first and asked questions later. The filings allege Suno made "illicit copies of millions of copyrighted musical works" as training data, then used it to generate new recordings in those artists' styles. Eight Mile Style lists 269 Eminem songs and seeks the maximum $150,000 each for willful infringement.
The Elvis complaint adds the voice-cloning claim. Under the ELVIS Act, using a person's voice to create a replica without consent is unlawful, and the suit says Suno's system can produce recordings that mimic Presley's voice. If anyone can generate a new "Elvis" song on demand, the recordings the estate licenses lose their worth. Both complaints also seek impoundment or destruction of all unauthorised copies, the remedy AI companies fear most, since a model cannot easily unlearn its training data.
Suno has previously said it prohibits the unauthorised use of an artist's work, and calls its technology transformative. Suno has not yet filed a formal response to the two new complaints. The complaints present Suno's own disclosure as an admission of the scale of the copying.
Eminem is not personally participating in the Eight Mile Style suit: the case is brought by his publisher, which owns the compositions, not by the artist. The Elvis plaintiffs hold both the publishing and the name-and-likeness rights, which is why their case can invoke the ELVIS Act. For the estate, the voice itself is the asset.
The Suno copyright lawsuit could set the rules for the entire AI music business. If training on copyrighted songs without a licence is infringement, AI music companies must license the music they learn from, a cost that could reshape their business models. If it is fair use, the music industry loses its strongest lever over the technology.
The ELVIS Act claim matters just as much. A ruling that the law covers AI imitations of a dead singer's voice would give every estate and living artist a new weapon against voice cloning. For artists, a catalogue is a lifetime of work and a voice is an identity, and the lawsuits say AI tools should not take either without permission or payment.
Suno must now answer both complaints in the Northern District of California, and is expected to argue its training is fair use and its outputs are new works, not copies. The court will set a schedule for motions, discovery and, if the cases are not settled, trial. If Eight Mile Style and the Elvis estate win early rulings, more publishers and estates are likely to follow. Settlement is also possible: earlier AI-music cases have produced both litigation and licensing talks.
Who sued Suno?
Eminem's publisher, Eight Mile Style, and the Elvis Presley rights holders, in the Northern District of California.
How much money are they seeking?
More than $41 million: $150,000 per song for 269 Eminem compositions ($40.35 million), plus $672,000 over removed copyright-management information.
What is the ELVIS Act?
Tennessee's 2024 law against AI cloning of singers' voices, in effect since July 1, 2024.
Is Eminem himself suing Suno?
No. The case is brought by Eight Mile Style, his publisher. Eminem is not personally participating.
What does Suno say?
It prohibits unauthorised use of an artist's work and calls its training transformative.
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